A haunting literary crime debut from an award-winning Korean author. THE SISTER: In the summer of 2002, my big sister Hae-on was murdered. She was beautiful, intelligent, and only nineteen years old. Two boys were questioned, but the case was never solved. Her killer still walks free. THE CLASSMATE: In the summer of 2002, my classmate Hae-on was murdered. She was haughty, spoil...(展开全部)

NAMED A MOST ANTICIPATED READ OF THE YEAR BY MS. MAGAZINE Parasite meets The Good Son in this piercing psychological portrait of three women haunted by a brutal, unsolved crime. In the summer of 2002, when Korea is abuzz over hosting the FIFA World Cup, eighteen-year-old Kim Hae-on is killed in what becomes known as the High School Beauty Murder. Two suspects quickly emerge: r...(展开全部)

作者 桑迪•托兰（Sandy Tolan）南加州大学安纳伯格传播与新闻学院教授，重点关注土地、身份、环境和全球经济等交叉领域。托兰是三本非虚构图书的作者，还是十二部纪录片和纪实广播的制作人。 -- 译者 杨扬 现当代文学硕士，管理学硕士，编辑、记者、书评人，致力于挖掘生活和文本中的趣味性。著、译作品包括《这辈子：1920—2020外婆回忆录》《月光下的歌谣》。

In the summer of 1967, not long after the Six Day War, three young Palestinian men ventured into the town of Ramla in Israel. They were cousins, on a pilgrimage to see their childhood homes, from which they and their families had been driven out nearly twenty years earlier. One cousin had the door slammed in his face, one found that his old house had been converted into a schoo...(展开全部)

作者 桑迪•托兰（Sandy Tolan）南加州大学安纳伯格传播与新闻学院教授，重点关注土地、身份、环境和全球经济等交叉领域。托兰是三本非虚构图书的作者，还是十二部纪录片和纪实广播的制作人。 -- 译者 杨扬 现当代文学硕士，管理学硕士，编辑、记者、书评人，致力于挖掘生活和文本中的趣味性。著、译作品包括《这辈子：1920—2020外婆回忆录》《月光下的歌谣》。

作者 桑迪•托兰（Sandy Tolan）南加州大学安纳伯格传播与新闻学院教授，重点关注土地、身份、环境和全球经济等交叉领域。托兰是三本非虚构图书的作者，还是十二部纪录片和纪实广播的制作人。 -- 译者 杨扬 现当代文学硕士，管理学硕士，编辑、记者、书评人，致力于挖掘生活和文本中的趣味性。著、译作品包括《这辈子：1920—2020外婆回忆录》《月光下的歌谣》。

作者 桑迪•托兰（Sandy Tolan）南加州大学安纳伯格传播与新闻学院教授，重点关注土地、身份、环境和全球经济等交叉领域。托兰是三本非虚构图书的作者，还是十二部纪录片和纪实广播的制作人。 -- 译者 杨扬 现当代文学硕士，管理学硕士，编辑、记者、书评人，致力于挖掘生活和文本中的趣味性。著、译作品包括《这辈子：1920—2020外婆回忆录》《月光下的歌谣》。

In the summer of 1967, not long after the Six Day War, three young Palestinian men ventured into the town of Ramla in Israel. They were cousins, on a pilgrimage to see their childhood homes, from which they and their families had been driven out nearly twenty years earlier. One cousin had the door slammed in his face, one found that his old house had been converted into a schoo...(展开全部)

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若泽•毛罗•德瓦斯康塞洛斯（1920～1984），是巴西极富传奇色彩的作家，他自小在伯伯家长大，就如他笔下的五岁男孩泽泽一样，他也是自己学会了识字看书，在九岁的时候还获得过游泳和足球冠军。他天性好动，曾学过医，后又学绘画、法律和哲学。他爱好旅游，曾到欧洲和巴西的各地旅行。他从事过的职业更是超出一般人的想像：渔夫、教师、模特、舞蹈演员、侍应生、电影电视及话剧演员等等，他作品中的人物和情景许多都来自他丰富的生活经历。　　他的一段创作谈常被人提及，而且也是理解他的作品意蕴的一把钥匙：“文学是最复杂的艺术，因为它要赋予作品绘画的色彩和线条、音乐的声音和旋律，以及动感。写作是我找到的用以展现我的生活经历、传递我的喜怒哀乐和一种久被遗忘的感情——温柔的方式。没有温柔的生活毫无意义。”